![]() So there’s a rising demand for matching Arabic and Latin typefaces, for example, which are definitely not hybridizations, but a consequence of a constantly coalescing world. Almost all signs, posters, billboards, and advertisements in cities like Beirut, Cairo, or Dubai are written in Arabic as well as English. Bilingualism plays an eminent role in many countries worldwide. More and more designers find themselves working for clients of diverse nations and cultural backgrounds and are being challenged to bring different visual precepts and habits together in a harmonious way. On what did you base the design of your three TalibType fonts, which are used throughout the book? Does this hybridization of Latin and Arabic scripts say anything about this moment in graphic design internationally? Supported by the technical solutions of Unicode, they’re at the start of a new phase of Arabic typography. The young generation of Arabic type designers clearly differentiates between calligraphy and typography. ![]() All the graphic designers we spoke with were of the same opinion: That typographers from the start made a huge mistake by trying to take calligraphy onto a straight line, which doesn’t work. But this is only one reason for the current boom of Arabic typography. With the inception of Unicode and OpenType, almost all of these technical problems have been solved. ![]() It was almost impossible to create fonts which could be used in more than one program or platform. What were the obstacles, and have they finally been overcome?ĭue to technical limitations, Arabic font designers have faced constant problems when programming computer fonts, like the connections of letters, the limited character sets, and also the right-to-left direction of writing. It sounds as if certain technological obstacles impeded the development of typography in the Arab world. This openness to experimentation with script is exactly what makes Arabic and also Persian design so special-it’s also what made us fall in love with it. Arabic script has been developed, redeveloped, invented, and reinvented over time and offers great potential to experiment due to its flexibility. Due to the prohibition of images in Islam, artists and calligraphers tried to create beautiful sceneries by turning type into pictures. Why is this so prevalent in the Arab world’s graphic design?Ĭalligraphy is considered the highest form of visual expression within the Arab world. One of the most striking things about the book is the use of letters/words to create imagery. We are local to the Metro-Detroit areas in Michigan including: Novi, Wixom, Bloomfield Hills, West Bloomfield, Farmington, Livonia, Southfield, Royal Oak, Rochester, Troy, Waterford, Ann Arbor, Ypsilanti, Canton, and Birmingham.Q+A with Ben Wittner and Sascha Thoma of German graphic design studio eps51, editors of Arabesque ( Die Gestalten Verlag, March 2008), which surveys the burgeoning Middle Eastern graphic and type design scene. Graphic Design for Manufacturing CompaniesĮPK Design can work with you virtually from any state in the nation. Graphic Design for Real Estate Properties Graphic Design for Financial Service Firms While we come from a strong background of traditional graphic design and communication, we stay on top of the latest trends in technology to keep pace with our clients needs. White pages, event flyers, PowerPoint presentations, seminar invitations, employee bio sheets, social media graphics, corporate brochures or annual reports, web design and maintenance… anything that needs your brand. Because it’s a project-based expense, you’ll only pay for what you need at that moment instead of keeping extra staff on hand.ĮPK Design will develop or learn your existing brand, then quickly turnaround jobs as needed. ![]() When you outsource graphic design to EPK Design, you’re hiring a team with the expertise to get the job done right. The first exhibition took place at Studio 1, Bethanien, Berlin in November and December 2012 and featured more than 160 posters. Web design samples your “almost” in-house graphic design studio In cooperation with uqbar we organised the project RIGHT-TO-LEFT comprising an exhibition of contemporary graphic design from the Arab world and Iran, as well as lectures, discussions and workshops.
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